My receiver is a Yamaha RX-V520. It has the AM connection for a loop antenna (which gives no signal) with one terminal for antenna and the other for ground. Should I run a single wire to the antenna connection and ground the other? Thanks for any advice on this simple matter.
Ken.
G'Day
The AM loop antenna needs to connect between the terminals marked as "AM ANT" and "GND" on the rear top right corner of the amp. This is the normal configuration for a loop antenna. The other option(not using a loop antenna) is to connect "GND" with a single insulated wire to a decent earth connection (2 m copper stake hammered into the ground or a water pipe, and a single wire elevated as long and as high as you can. this style of antenna system is not generally used these days, as the transmission power of radio stations has increased greatly over the years so that a small loop antenna will do the job So, most stations should be tunable with just the loop, remember however, that it will be directional. If the loop is in proximity to other electronic gear, it may not perform as well. Keep it as far away from the rest of your gear as you can.
You will generally get no AM stations AT ALL until you have connected the loop to both terminals. Happy to talk to you further about this. Please rate my solution. Cheers
regards
robotek
Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.
The connections themselves are fairly simple but it pays to understand what happens in the loop.
In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).
Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.
The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.
EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.
In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? The rest would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.
Okay, back to the hook-up:
You have to select any available 'tape loop' containing an overrideable analog 2-channel Out and In.
Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In;
Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.
So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.
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