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The RCA outs are designed to send a signal to an external amplifier. That amplifier, in turn, sends the music signal to speakers.
The RCA inputs are designed to take audio signals from another device (like an ipod, CD Player, or computer) and play it through the Craig System speakers. If you sing into the microphone, the vocals will be mixed with the incoming music. However, in these cases, there won't be lyrics on the screen. If you play a karaoke DVD in a DVD player, connect the red, white and yellow RCA cables from the DVD out to the Craig Inputs, the lyrics should appear on the Craig screen while the music plays.
If you mistakenly plug RCA cables into the Craig Inputs and plug the other end into an amplifier's inputs, neither will produce any sound.
Using RCA outs is only necessary if you want to have louder music than the on-board Craig speakers can handle. Of course, you can run the yellow video cable to a TV RCA input to get a bigger lyrics window and the RED and White RCA to the TV RCA Red and White inputs to hear the music through the TV's speakers.
hmm, it could be something simple such as a faulty cable from mic to pc, it could be a faulty input if you are using a mixer, could be a faulty mic, it could even be a piece of software running in the background that is conflicting with sonar and causing this problem. This should be an easy problem for your "engineer" to sort out. as seeing it makes it 100 times easier to fault find. Thats part of being an engineer!
There is not enough info here to provide a complete answer, but let me give you some background:
There will always be some hiss. This is due to general amplification where a small amount of noise is amplified along with the general signal. In most cases, the signal is strong enough to overpower any noise that is present (vocals in your example). This noise should not be that noticable in normal cases. If there is an automatic gain control in the line, this could account for it as with "silent" times, the gain will automatically be increased potentially to the degree where the noise is noticable.
Barring that scenerio, if the input signal is too low, the overall gain necessary to produce reasonable volume at the speakers will also be such that the noise is noticable. In order to track this down, please provide details about the current setup including:
1) Microphone make and model being used
2) Input being used on the mixer
3) Gain level being used for the mic channel
4) Gain level being used at the master level.
some of them require red , white, blue, green, an yellow audio jacks. make sure you have all the input plugs. or eles the tv will not use plugs it doesnt have.
You've got two inputs on the DP-02 so you can record two sources at once.
Depending on how you want the electric guitar recorded (mic the amp, or direct line in) you can in the first case plug your guitar mic into one of the mic inputs on DP02 and plug your vocal mic into the other mic input. You also have the option of plugging the guitar directly into the DP02 (using the hi-z input - I believe it is labelled 'guitar' or something on the DP02. I any event I believe it's the one on the left). This way you only need one mic for use recording the vocal part.
To avoid any 'bleed' between channels you can use the headphones while recording this way and you'll avoid having the unamplified guitar sound coming through over the vocal mic.
Once you have the mics or guitar and mic plugged into two inputs, you need to assign the inputs to a channel (track) to record on. You do this by pressing the select button for the input and then pressing the select button for the track where you want to record the input. Do this for both inputs so that they are recording on different tracks. Then arm the tracks for recording by pressing the record button for each track and the lighted buttons will flash above each armed track. Then just press play and record and you'll be recording. You can go back and redo it as many times as you like and record over what is there, or preserve a take and assign a new track (or tracks) for another take. You've got 8 to play with.
The easiest way to record using an external Lexicon effects unit (without an external mixer) is to connect your mic onto one of the 2488's inputs and assign that input to a channel strip (track). You should have the 2488 sends (output) going to the Lexicon's inputs. Then connect the Lexicon outputs back into another set of inputs on your 2488 and assign those inputs to two empty channel strips (tracks).
Then you will have to take that channel that has your mic input assigned to it and press send and set the levels there to send the signal out the sends (to the Lexicon).
Now you have a channel strip assigned to the mic input which contains your dry signal, and you have the two inputs returning from the Lexicon which contains your wet or effected signal.
You then have some options. You can control the amount of effected signal you hear while recording by adjusting the faders of the two wet tracks and you can either record the dry signal or the wet signal (or both) onto separate tracks.
Typically when recording the singer will want to hear an effect (say reverb) on his voice, but the engineer wants to record only the dry track at recording time (because effects can always be added later, but they can't be taken out). To accomplish this you would use the setup above, but only arm the mic input track for recording. In this way the singer hears the reverb, but only the dry vocals get recorded and the engineer can add reverb to that track again later as desired (and mix it back with the dry vocal etc).
On the other hand if you want to record only the effected signal you would simply arm the two channels to which the inputs coming back from your Lexicon are assigned for recording. This will get you a recording of the effected signal only.
Hope this helps you do what you are trying to do.
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