My 10 w7 has vocals and bass now my vocals sounds muffled what can i do to get rid of my vocals and keep my bass???

If a wide range of music comes out ok, I would dare say it is just some setting that is turned on, and or the EQ has been adjusted, maybe removing the mid tones where most vocals are. So have a look for any DSP (digital sound processing) options or EQ (Equaliser) and adjust them and see.

Rockford is great for bass and your two way speakers. Alpine still controls the three way speakers that I would suggest for wanting the strong vocals with less bass. Too much bass bad so I would ignore most input from "audio" guys. They always over build the bass side, balance is the key.

No models given, so a guess is what you get.

If your shelf system is not producing sufficient clean audio power you'll get distortion, which can kill a speaker faster than excessive clean power. Muffling is something else altogether. Are the tweeters working?

first, you need a hugh quality studio mic or a seinheiser, sure sm 58s and cheaper mics sould muffled compared to real studio mics.

whatever mic you have, the key to the studio sound os overtracking. record your vocals, singing exactly the same, 2 times, and pan 1 take to the right, and another to the left. this will give it as chorus effect.

then, use an eq to drop everything below 500 hertz about 20 decibels or so, thios will make it cut above the pusic and sound clearer.
after this, you can add effects such as delay, reverb and maybe chorus, but too much effects will muddy the sound.

It's likely the groud connection in the cable is broken. Possibly at the plug, it would mean no centre focus and no bass as the headphones get only out of phase sounds. I'm guessing you've tried them in another device - a faulty sockey would do the same.

Well, the subwoofer is not supposed to reproduce audio in the vocal range. It reproduces Bass frequencies. Check your set-up and connections to your satellite speakers. Based on what you have stated, this is all I can offer. Hope this helps.

only subs should be hooked up to the amplifier the amp is mostly for bass anyways have your 6*9 just hooked up to the cd player itself to where its just for your vocals

No, to make this connection correctly you need a pre amp. you can find them online for about 25 and up. your ipod does not have a pre amp section and is sending a very weak signal to your amplifier. A pre amp is the fix. Hope this helps

i updated the sound drivers and it works fine now

Do'nt mess with the Tone,Bass, Mid or Highs without reason. Flat is the Standard for mixing, recording, and further processing as it allows you to control the tone there.
Volume is subjective, as in a crowd of WWII Marines are deaf, but many cities have regulations for sound levels, and they check them, and will shut you down if your out of compliance (need a sound level meter, the good one), and you can drive away old ladies with load noises (remember: they are your customers).
Generally set your levels so they NEVER Distort the signal and any point or level in the show.
Make shure that you have quality microphones and cables.
Keep your levels balanced if possible.
Do'nt know what your rig entails, but any place to clean up a signal, or lower noise will directly reflect on the sound.
A DSP with compressor/limiter and maybe some other algos like reverb, delay, flanger, phase/frequency shifter can greatly enhance and help control a modest or not rig easily.
With voices, a sybillance or vocal processor can make a world of (usually good) difference, and a matched set of Compressor/Limiters dedicated to the voices can help tame the levels of several people in a live or studio situation.
Keep mike and other low level cables far from electrical drops (crossing at right angles) taped down.
Run your mike and other levels well within safe limits,
setting levels of incoming lines as high as possible With Out Overs, the more headroom the better.
Use the Mains out to control the volume levels in the House (your audience). In most situations,
the volume of the entire soundsystem should be so the audience can talk in close quarters (whisper), and still hear themselves over the band in the distance. (the country clubs I've played).
Start with the lead vocal, and get a comfortable , clean, and balanced sound with both loud and soft singing, both being heard with-out major adjustment of the signal at the board.
Adjust any output or input that has changed in response to the addition of the voice, to a average -10 db level.
You may fine-tune them later, and at the show, (and another show, and another,&another &another...)
These levels rise as you add more voices and instruments, and during the course of some shows, so having some extra space is good to have room to solo a voice over the basic loudness of the rest of the show, (I swear, it's a circus folks).
Add the other vocals one at a time as before, 'til all are of the same level.
Now adjust any levels that may have risen or changed (-10 db is a good starting place) to not have any overs for the next stage.
Add the instruments levels one at a time, in order of importance to the sound, leaving headroom for solos, as well as building structure in the gain matrix.
USE THE TONE CONTROLS ONLY AS THE LAST RESOURCE, Though Equalizers can be real handy.
Tone Conrols are TO FIX Undesireable Sounds Levels such as Feedback, a nasal voice (the same), or other Highly offending examples of Vocal or Musician outbursts (Guitars Mostly).
As the club manager or health department official TELLS you to turn it down, and as sound levels subside, the guitars keep wailin', and at a certain point one must just turn the damn soundboard OFF, turn and announce to the official that at that point "it is out of your control".