20 Most Recent Behringer Xenyx 1002fx Mixer 10 Input 2 Bus with Efx - Page 9 Questions & Answers

i suggest you contact Behringer Customer Service for advixce. Without the setup in front of me, it's hard to figure out the wire routeing, switch positions, ect. that may be leading to this problem. As they would be the people most familiar with the gear, they'sd be the people to ask. http://www.music-group.com/support/behringer/askquestion

You can connect where it is possible. I hope you will understand.

On what channels from what source? Is it from USB too? have you got the gains set right? are you overdriving the amp? does the USB output distort as well?

I presume you are using the send and return inputs on the EFX500. Make sure the effect selector, CH Selector and EF On/off are set right. then use these in the insert chain of the mixer for the channel/bus/sub you want to use the effects on. Remember on the mixer it will be tip send and ring return. It would be useful if you said which behringer mixer (they make an awful lot of them from complex digital to simple DJ) and what you are trying to do with it. It is clearly explained in the Pioneer manual under basic connections. If you are a DJ you may not be familiar with the Insert concept so get yourself down to a professional sound/PA outlet or Radioshack / Maplin and ask for a pair of insert leads.

This is going to be a nightmare. The only way will be in a daisychain with the crossover probably last, the sonic exciter before it, the virtualiser before that and the DJ mixer (which one are you using) at the beginning of the chain. What on earth are you trying to do? As a DJ it is likely most of what you play will already have been compressed to the limit so the multicom may not have much to do unless you're going to use it to reverse the effects of the exciter in which case forget both of them. I assume you're going to bi or tri amp so it is probable the crossover will be last as stated but trying to figure ANY way to get some use out of your list you might try the exciter in the Sub output of the crossover and the virtualiser on the mid and the multicom on mid top but this would just be trying to get anything of value from your list. Forgive me but it seems you really don't know what you are doing as the equipment you are listing is not really for DJing and certainly would not normally be used in the only way you could really use it in your environment. Did you get a job lot or something?

A bit more info about what you're you;re trying to do would be useful. You would normally use both these as inserts either on the main bus or more likely on an individual or subgroup bus, as you want them in sequence you'll come out of the insert send (tip) into the first unit (whichever you feel is best first) and then from its output into the input of the second unit, then from the output of the second unit into the insert return (ring)

Once connected to the computer you have to open your Daw and find the menu to activate the mixer via midi. Check the user manual of your Daw. Also you might have to do some midi mapping to set up the controls.

I can't give you a definite answer but I suspect the Peavey speakers with their four wires require a different sort of amplifier.to the conventional type. You will be aware in lots of speaker enclosures are one or two drive units and a tweeter. Ensuring the right frequency of signal goes to the right speaker will be a filter or crossover which is also housed in the enclosure. This has been the common way to deliver a good sound forever. There has been a fashion for delivering a good sound differently by placing the filter network or crossover in the pre-amp stages and then delivering the different frequency signals to two, three or more power amplifiers, each one designed to amplify a particular frequency range and in this way fewer compromises are made to the purity of the resulting sound. Each amplifier would have an output through a pair of wires destined for the drive unit is was designed for. Two and three rack amplifiers have been a very popular way of delivering sound in cinemas, in particular a powerful bass. I haven't personally been involved with such an amplifier but I remember the magazine Wireless World publishing a series of articles about the system and the instructions for building one. These are just my thoughts on the matter and your next step would be to examine the internal wiring of your speakers to be sure.

Short circuited component/s at its main board. If you wish to get some details; check the site linked here. Pull up older posts. Surf the site with patience. http://electro-medical.blogspot.com/ http://electronicshelponline.blogspot.com/ Search the site by type in the "brand name" to your device, in the "Search box at the top right of the display window of the Homepage" to get gathered related posts.

You should be able to unplug a mic from the xlr input with the unit on with no problem. I beleive the problem is that the xlr input jack has one or more legs broken off the board. If you dsassemble the board and resolder the three legs to the board you'll probably fix the problem.

Please see my previous answer on this subject. It's best not to repost multiple times. The questions don't post immediatly so it may take a while for them to show up on the site.

If it come back on after shutting down, you have a part overheatinga and then working again after it's cooled off, rather than "blown. You will need to take it in for service.

The most common problem would be the headphone cable, particularly at the plug end. If they work fine on other systems, the next place to check is for a dirty headphone jack. Next a dirty/defective headphout out pot or cold solder joints where the pot or jack connects to the circuit board.

Check out these manuals: PMP2000 http://www.behringer.com/assets/pmp2000_p0611_m_en.pdf PMH880S http://www.behringer.com/assets/PMH880S_P0232_M_EN.pdf

You need to take it to the repair shop.